Home





Laura Lancaster: My Echo,
My Shadow

Seb Trend: XTRALIFE

Northern Gallery for
Contemporary Art Collection Display


Jade Sweeting: 900 miles (from
Home)

Mike Nelson: Hybrid 
Scripts

Chad McCail: Hopes and
Fears

Cory Arcangel: 🤗

Fiona Crisp: Weighting
Time

Mark Pinder: Macromancy
Britain and the North East
of England 1986-2022

Jhanee Wilkins: Black
Britain

Janina Sabaliauskaitė: 
SENDING LOVE

Rhea Storr: The Image 
that Spits, the Eye that 
Accumulates

Graham Dolphin:
Gnossiennes (Durham)

Island: Island Life in Britain
Since 1945

John Kippin & Nicola 
Neate: IN this DAY and
AGE - The Outer Hebrides

NGCA x University of 
Sunderland, School of Art
and Design Exhibition Takeovers

Graham Dolphin: 
Gnossiennes

Grayson Perry: The
Vanity of Small
Differences

Vinca Petersen: Make
Social Honey - A 
Collective Search for
JOY

Graham Dolphin: Come 
Together

Anthony Amoako-Attah:
Transition IV

Patrick Hough: The
Black River of Herself

Stuart Whipps: The
Carboniferous Epoch

Where We Are Now

Antony Gormley: Earth
Drawings

Paint the Town in Sound
Virtual Exhibition 

Susan Philipsz
The Internationale

Art Crush

Heritage at Heart:
Online Exhibition

Arts Council Collection
Print Displays

Arts Council Collection x
University of Sunderland,
School of Art and Design 
Takeovers

In Focus: Artist Film
Programme & Discussion

A Protest, A Celebration,
A Mixed Message: Artists’
Films

This Image is No Longer
Available

Artist Selected Film
Programme: Penny
Woolcock

You and Whose Army?
Artist Performance
Evening

Simon Faithfull: Going
Nowhere series

Spotify Artist Selected
Playlists


Francis Alÿs: When Faith
Moves Mountains

Art/Action: Artists’ Films 

Martin Creed: Words and
Music

Young Knives:
Barbarians
Experiments
Residency 


Digital Voices 

Unit 6 Displays 

(im)material Labour


Music ︎


About
Contact


︎ Linkedin

︎ Instagram
Laura Lancaster: My Echo, My Shadow

Northern Gallery for Contemporary Art
Saturday 16th March - Sunday 30th June 2024


My Echo, My Shadow is the largest solo show to date of British painter Laura Lancaster. Presenting new paintings made over the last few years My Echo, My Shadow delves into the current practice of one of the North East’s most celebrated and accomplished painters.

The source of Lancaster’s paintings are found photographs, slides and cine films of strangers, purchased from online auction sites, flea markets and junk shops. She translates the lost and discarded memories into paintings which sit ambiguously between abstraction and figuration. The highly gestural, visceral and expressive application of paint allows the everyday and mundane to become surreal, grotesque and poignantly melancholic. Challenging the formal language of painting and photography Lancaster probes the reliability of the photograph as a record or snapshot replacing representation with nostalgia, familiar with dreamlike and lived experience with collective consciousness.

Confronting a gendered history of painting, Lancaster draws upon numerous styles and genres as well as touching on the history of painting as a medium. The artist paints women in classical poses, be it by water, in lush green landscapes or in moments of rest. However, these motifs, reimagined by Lancaster, avoid a simple passive reading, instead they allude to confinement, vulnerability and control. Guided in the direction of abstraction the paintings refrain from the voyeurism and beauty standards historically associated with female figures within the conventions of traditional painting.

Laura Lancaster was born in Hartlepool, UK in 1979. She lives and works in Newcastle Upon Tyne, UK. She has shown her work in solo exhibitions worldwide including: Laura Lancaster: Closer and Further Away, Workplace London; Laura Lancaster, Wooson Gallery, Korea; Running Towards Nothing, Night Gallery, Los Angeles; Shadows and Mirrors, Workplace, London; Laura Lancaster, The New Art Gallery Walsall; Shapeshifter, Workplace London, UK; and A Stranger’s Dream, Sargent’s Daughters, New York.

Lancaster’s work is represented by Workplace and is included in numerous international collections including The British Council Collection; The New Art Gallery, Walsall, UK; Nerman Museum, Kansas, USA; The Government Art Collection, UK and numerous private collections worldwide. Her work has recently been published in Vitamin P3: New Perspectives in Painting by Phaidon Press, and Picturing People by Charlotte Mullins for Thames and Hudson.











Photos: Colin Davison
Contact: ︎ Jonathan.weston@sunderlandculture.org.uk