Home





Laura Lancaster: My Echo,
My Shadow

Seb Trend: XTRALIFE

Northern Gallery for
Contemporary Art Collection Display


Jade Sweeting: 900 miles (from
Home)

Mike Nelson: Hybrid 
Scripts

Chad McCail: Hopes and
Fears

Cory Arcangel: 🤗

Fiona Crisp: Weighting
Time

Mark Pinder: Macromancy
Britain and the North East
of England 1986-2022

Jhanee Wilkins: Black
Britain

Janina Sabaliauskaitė: 
SENDING LOVE

Rhea Storr: The Image 
that Spits, the Eye that 
Accumulates

Graham Dolphin:
Gnossiennes (Durham)

Island: Island Life in Britain
Since 1945

John Kippin & Nicola 
Neate: IN this DAY and
AGE - The Outer Hebrides

NGCA x University of 
Sunderland, School of Art
and Design Exhibition Takeovers

Graham Dolphin: 
Gnossiennes

Grayson Perry: The
Vanity of Small
Differences

Vinca Petersen: Make
Social Honey - A 
Collective Search for
JOY

Graham Dolphin: Come 
Together

Anthony Amoako-Attah:
Transition IV

Patrick Hough: The
Black River of Herself

Stuart Whipps: The
Carboniferous Epoch

Where We Are Now

Antony Gormley: Earth
Drawings

Paint the Town in Sound
Virtual Exhibition 

Susan Philipsz
The Internationale

Art Crush

Heritage at Heart:
Online Exhibition

Arts Council Collection
Print Displays

Arts Council Collection x
University of Sunderland,
School of Art and Design 
Takeovers

In Focus: Artist Film
Programme & Discussion

A Protest, A Celebration,
A Mixed Message: Artists’
Films

This Image is No Longer
Available

Artist Selected Film
Programme: Penny
Woolcock

You and Whose Army?
Artist Performance
Evening

Simon Faithfull: Going
Nowhere series

Spotify Artist Selected
Playlists


Francis Alÿs: When Faith
Moves Mountains

Art/Action: Artists’ Films 

Martin Creed: Words and
Music

Young Knives:
Barbarians
Experiments
Residency 


Digital Voices 

Unit 6 Displays 

(im)material Labour


Music ︎


About
Contact


︎ Linkedin

︎ Instagram
Digital Voices

Monday 16 February – Monday 16 March 2015


Locations:
Oxford Central Library (Performance videos and live performance) - Westgate, Oxford, OX1 1DJ
Oxford University Language Centre (Performance videos and online project) – 12 Woodstock Rd, Oxford, OX2 6HT

Artists:
Patrick Coyle, Tim Etchells, Yuri Pattison and Tris Vonna-Michell


Digital Voices was a multidisciplinary public project exploring the impact that advances in technology and social media have had on the use and consumption of language in current society.

Both spoken and written language are cultural forms whose rules, boundaries and usages exist in a state of flux, picking up traces from vernacular use and evolving over periods of years, decades and centuries. Counteractively the weight and authority of formalised language remains broadly enshrined and unchallenged within historical discourse. However recent developments in online networks, communication technologies and social media have shifted the dynamics of cultural exchange leading to innovations in the use of language and progressively rewriting given norms.

Tim Etchells and Tris Vonna-Michell’s performance videos (on display at Oxford Central Library and Oxford University Language Centre) deliver fast paced cut, reconfigured and repeated personal narratives. The delivery of these narratives allude to the struggle we face in keeping up with the constant streams of digital communication and the confusion that often results from the disconnection between the body and the voice. Etchells’s Current Status, 2015 explores language as a stream of consciousness that is fed and re-fed through communication. The ‘chaotic accumulating Word file’ that Etchell’s uses as the basis for his solo performances is a collection of gathered fragments of text, overheard conversations, cut-and-paste excerpts and quotations. Vonna-Michell’s recent performance edited for the project takes his personal accounts and formulates them into dead ends, fragments of information and detours, phenomena that are increasingly evident in social media and digital communication today.

Yuri Pattison’s online project explores the internet slang of Chinese Netizens both opposing and manoeuvring state sanctioned censorship and surveillance, in particular popular terms such as "Grass Mud Horse" & "River Crab". Viewed strictly from a mediated & translated position the commission also explores how speech and language is conveyed online in the UK, American & Western Europe - and the increasing level of nuanced self censorship present in our day to day communication.

Artist and writer Patrick Coyle presented a new performance written over the Internet in collaboration with selected guests. Topics range from the origins of speech to recent concerns about digital engagement and information overload. The resulting material examines the usefulness of remote correspondence and considers its psychological affects.

Accompanying the project was a short publication including information on the artists, works and events as well as new essays.




Contact: ︎ Jonathan.weston@sunderlandculture.org.uk